The Home Stretch
Well, what can I say? My teams are pretty well defined by now. The Cardinals have locked it up. The Devil Rays and White Sox have cashed in whatever chips they had left and made productive trades to jettison a bit of dead weight, overpaid salary (yes… Scott Kazmir is dead weight). The Red Sox look like they’ll contest Texas down to the wire for the Wild Card which at this point seems to be a toss up for me given the streaky inconsistencies of both of those clubs.
My Dodgers, however, continue to be consistently mediocre. I loved the John Garland trade although it may have been nice if they could’ve pulled it off a month ago. The reasoning behind that might have been Arizona holding the Dodgers hostage. Who knows? The Jim Thome trade remains a puzzler simply because I think Ronnie Belliard’s acquisition may actually have more of an impact instead of featuring a long time DH in a pinch hitting role. But at this point, the offense is so anemic that I suppose any bat will do. I hope the Dodgers hang on … it’s problematic at best.
Now, let’s talk a bit of poetry.
William Carlos Williams is not one of my favorite poets. He rose to prominence with his craft during the Modernist period of Literature in the 1930’s and at the time was dwarfed in the spotlight by Ezra Pound and T.S. Eliot. Sadly, it may have been the only period when the modern world gave a hoot about experimental poetry.
But Williams remained ardent in his desire to not only push the limits of poetic craft against the long reign of formalist poets, he also sought to make his poems more American in essence by focusing on American concerns and issues as well as typical everyday occurrences in life as his favored subject matter.
On reading the one included below, I’m not entirely convinced Williams was a baseball fan. I could be wrong about that since the sport is distinctly and American invention. But aside from the title, the setting seems to me it can be anywhere that has a crowd: a train station, shopping mall, or rock concert. But I felt given his heavyweight status as a sage of modern poetry, this poem deserved to be featured below. To learn more about William Carlos Williams, click this link: http://www.poets.org/poet.php/prmPID/119
And now, the poem:
The Crowd at the Ballgame by William Carlos Williams
Published: The Dial (08-1923)
The crowd at the ball game
is moved uniformly
by a spirit of uselessness
which delights them —
all the exciting detail
of the chase
and the escape, the error
the flash of genius —
all to no end save beauty
the eternal –
So in detail they, the crowd,
are beautiful
for this
to be warned against
saluted and defied —
It is alive, venomous
it smiles grimly
its words cut —
The flashy female with her
mother, gets it —
The Jew gets it straight – it
is deadly, terrifying —
It is the Inquisition, the
Revolution
It is beauty itself
that lives
day by day in them
idly —
This is
the power of their faces
It is summer, it is the solstice
the crowd is
cheering, the crowd is laughing
in detail
permanently, seriously
without thought
The poem was published in 1923? It could be a scene out of a speakeasy.
Julia
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